The Bride of Lammermoor

Five Russian families move through court, love, and the Napoleonic invasion as 1805 becomes Borodino and Moscow burns. Tolstoy’s epic is Napoleonic historical fiction on a national scale—ballrooms and battlefields, Pierre and Natasha, and the question of who makes history.

In 1815, sailor Edmond Dantès is framed for Bonapartist treason and locked in the Château d’If; he escapes, claims a hidden fortune, and returns to Restoration France as the Count of Monte Cristo to ruin the men who stole his life. Dumas’s novel is Napoleonic-aftermath historical adventure—prisons, treasure, and a revenge plotted across Marseille, Rome, and Paris.

In the winter of 1878, fourteen-year-old Mattie Ross leaves Yell County for Fort Smith after Tom Chaney shoots her father, Frank, and rides off into Indian Territory with his horse and his money. Charles Portis’s 1968 novel is Victorian adventure historical fiction of the hunt she will not delegate—one-eyed deputy marshal Rooster Cogburn, Texas Ranger LaBoeuf, and Ned Pepper’s gang in the Winding Stair Mountains.

Lockwood, new tenant at Thrushcross Grange, takes shelter at Wuthering Heights and hears how the foundling Heathcliff and Catherine Earnshaw loved each other on the Yorkshire moors—until Cathy married Edgar Linton, died in childbirth, and Heathcliff’s revenge closed on the next generation at both houses. Emily Brontë’s 1847 novel is eighteenth-century gothic literary historical fiction of obsessive love, class, and a house that will not let the dead go.

After eighteen years in the Bastille, Dr Manette is restored to his daughter Lucie in London—then the French Revolution draws an exiled aristocrat, a wasted English lawyer, and the Manettes back to Paris and the shadow of the Guillotine. Dickens’s novel is historical fiction of 1775–1793 London and Paris: sacrifice, revenge, and the best and worst of times.

A young American nurse serves in Vietnam and struggles to be seen when she comes home.