A Tale of Two Cities

Lockwood, new tenant at Thrushcross Grange, takes shelter at Wuthering Heights and hears how the foundling Heathcliff and Catherine Earnshaw loved each other on the Yorkshire moors—until Cathy married Edgar Linton, died in childbirth, and Heathcliff’s revenge closed on the next generation at both houses. Emily Brontë’s 1847 novel is eighteenth-century gothic literary historical fiction of obsessive love, class, and a house that will not let the dead go.

In 1815, convict Jean Valjean is released from the galleys and tries to live honestly under a stolen name, while Inspector Javert hunts him through Restoration and July-Monarchy France. Hugo’s novel follows Fantine, Cosette, Marius, and the 1832 Paris barricades—crime, mercy, and a social epic that still defines French historical fiction after Waterloo.

In Brittany on the eve of the Revolution, lawyer André-Louis Moreau watches a marquis kill his closest friend, then goes from a Rennes courtroom to a traveling theater—where he plays the clown Scaramouche—and on to a Paris fencing hall as France turns on its nobles. Rafael Sabatini’s 1921 novel is French Revolution historical adventure of disguise, the sword, and a man born with a gift of laughter and a sense that the world was mad.

Becky Sharp leaves finishing school with nothing but wit and climbs Regency England beside gentle Amelia Sedley—through London drawing rooms, a disastrous marriage, and the chaos of Waterloo. Thackeray’s novel without a hero is Napoleonic-era historical fiction of class, hypocrisy, and a social war fought as fiercely as the one on the Belgian field.

In a Midlands town on the eve of the 1832 Reform Act, idealistic Dorothea Brooke marries the dry scholar Casaubon, while ambitious doctor Tertius Lydgate is drawn to beautiful, expensive Rosamond Vincy—two marriages, and a whole province of clergy, bankers, and gossips, testing what a life is for. George Eliot’s novel is Reform-era historical fiction of vocation, money, and the unhistoric acts that shape an English town.

Five Russian families move through court, love, and the Napoleonic invasion as 1805 becomes Borodino and Moscow burns. Tolstoy’s epic is Napoleonic historical fiction on a national scale—ballrooms and battlefields, Pierre and Natasha, and the question of who makes history.