The Mirror & the Light

Thomas Cromwell rises through Tudor England’s deadly court, told in close, modern-feeling prose.

Thomas Cromwell, now Master Secretary, engineers the fall of Anne Boleyn as Henry VIII turns toward Jane Seymour. The middle novel of Mantel’s Cromwell trilogy is court politics at close range—cool, lethal, and intimate.

Tudor historian Tracy Borman tells the Boleyn family's rise and fall from Hever Castle—Anne, Mary, Thomas, and the household watching Henry VIII's court close in.

Henry VIII’s manuscript, glossed in the margins by his fool Will Somers, runs from a 1491 childhood through six wives, the break with Rome, and the dissolution of the monasteries, with Cromwell, Wolsey, More, and Anne Boleyn on the same pages as the king who signs their fates. Margaret George’s 1986 novel is early-modern biographical historical fiction of Tudor England told from the throne, not from the minister’s rooms.

The plague, a marriage, and the death of Shakespeare’s son—told with intimate, luminous focus.

Lucrezia de’ Medici is married at fifteen to the Duke of Ferrara, then isolated in a court where a duchess can be painted, praised, and quietly discarded. O’Farrell turns a famous rumor—that Lucrezia was murdered—into close, tense biographical historical fiction of Renaissance Italy.